Was thrilled to see that “Ogre Stone,” one of my spec sitcom pilots that got a staged reading last summer, sponsored by the WGAw, did well in yet another contest. This time we finished in the Top 25 for spec sitcom pilots and in the Top 5% Overall, for ALL entries in the highly competitive Launch Pad contest sponsored by The Tracking Board.
Tonight Airplane Live goes live in front of an audience. If you’re a fan of the 1980 movie you’ll love this staged adaptation – true to the original, but with a few additional twists.
I was asked to direct this play by my friend Chrisi (the writer) and it has been an enjoyable 2 months of rehearsals, run-throughs and the usual ups and downs of trying to get a piece of theater ready for an audience.
Granted, Pinter… it ain’t, but watching the actors individually find their way through the material while everyone figures out a way to come together as an ensemble is always kind of magical. I know that sounds hokey, but it is true. I’m happy I was a part of the process.
The LA Weekly has already listed the show as one of the top things to do in Los Angeles this weekend, and tickets are already moving briskly. It should be a good run.
Don’t miss it!
Something special happened last week. The WGAw gave me an evening to showcase two of my spec sitcom pilot scripts. It was a little bit of validation that we all need once in a while – proof that, while the gatekeepers might often seem uninterested, writing professionals, in an official way, put their stamp of approval on my work.
Of course, that also meant that the pressure was on to live up to such a recommendation, so I did what any smart person would do: I called in as many of my talented friends as I possibly could. I cast some of the great/funny actors I know and, most importantly, I handed the scripts over to two friends/directors who I knew would “get” the material. I then sat back and watched the directors dissect the scripts scene-by-scene while the actors found laughs and nuances in the dialogue that I never knew were there.
In order to make the evening successful, I also had to make sure we had an audience. Once again, friends, fans and well-wishers turned out to pack the house and make it a fun night of actual “theater” and not just a dry script reading.
For me, the biggest pay-off was being able to watch the rehearsal process lead to the actual performance. We all write a lot of stuff. It is a rare treat to get original material like this on its feet and in the mouths of actors. The audience had a great time and I learned a lot about my own work.
I was also reminded that the most important part of any creative project is that you must enjoy the process itself – all of it, from writing, to casting, to rehearsing to showtime – because the rest is out of your hands. Did I want the evening to be a celebration and a good time? Yes. Did I also want it to be a chance to raise my industry profile just a bit? Yes, of course. We will see whether it did or not, but in the meantime, I’m very happy with the results, and I think the audience was too.
Keep typing everyone.
I have been typing a lot lately. Luckily it is something that I enjoy doing. Even when “the writing” itself isn’t going well, I get a certain, specific pleasure from sitting down, staring at the screen and typing; my fingers can pretty much keep up with the speed of my thoughts, which is pretty handy because, believe me when I tell you, even on my best day, my left-handed pen scratchings are slow, uncomfortable to do, and painful to try to read. What I’m saying is: If you want to be a writer, take a few weeks/months and really learn how to type. No matter what kind of writer you are, it’ll help to speed up and streamline your “process.” I learned how to type back in High School, in a three month class designed for college-bound Seniors. It is the one thing I learned in High School that I still use every day. Sometimes I think my 65+wpm typing ability is my most marketable skill.
Why am I telling you all this? Because today I finished yet another first draft. This time it was a low-budget “thriller” feature that no one asked me to write, except for the nagging voice in my head that demanded I do it. Where does this urge come from? I’m not always sure. I just know I start feeling a special kind of miserable when I’m not actively writing on something. Let me put that another way, not just writing on “something,” but actively plowing through confusion, self-doubt, dead ends and ennui to actually complete drafts of these projects. Finishing things is important. I know because I have digital folders full of started projects that couldn’t hold my interest, or lost their luster when a shiny “new idea” floated into my head. New ideas are easy to come by. Finishing your work is what separates writers from people who think they would be good writers. That idea that is still “in your head” might be better than Chinatown, or even The Great Gatsby, maybe, but as long as it exists only in your head then it isn’t nearly as good as my completed first draft of ANYthing. You don’t need a new computer. You don’t need $300 worth of “writer’s software.” You don’t need an office. You just have to start stringing words together. Prove me wrong Silent Bob.
For every cynic who likes to trot out the “making a big deal about the ‘New Year’ is useless and arbitrary” line, there are more of us who disagree. For whatever reason – culturally, socially, humanly – most of us 6+billion people collectively agree that, 18 days ago, something old ended and something new began. That collective thought has a power all its own – in ways that will probably be scientifically proven within the next 30 years tops (I’m lookin’ at you, Quantum Physicists) …well, assuming we don’t destroy ourselves before then.
Part of that excitement to come out swinging when the New Year bell rings, at least from my perspective, is a reaction to how little seems to get done in Hollywood between mid-November and January 2nd. “The Holidays” are something to be waited out. We wait for the new year to start. We wait for new budgets to be approved and for new hires to start and for everyone to be in the right mood to start thinking about new ideas & new projects.
And now that time has finally arrived.
One of my first to-do goals for 2016 has been to get my work in front of at least 30 new people by the end of January. This is a big deal because, while no one would ever call me ‘lazy’ as a writer, I have been very guilty of not being “proactive” enough when it comes to getting my completed work seen & read. I know that is on me to change. So, I am happy to report that so far in 2016, I have already gotten my pitches & loglines and at least one of my five spec sitcom pilots into the hands and reading piles of at least 14 new people (yes, contrary to most of what you hear, producers, agents & managers are people.) So far the response has been positive and hopeful. People want to read more and, really, that is all you can ask for. …but that doesn’t mean I’m going to slack off. The month is half over and I’m only halfway to my goal.
Meanwhile, I’m also still doing shows. I’m excited to start the new performance year off with a return to STRONG WORDS this coming Saturday in Silverlake. Maybe we’ll see you there?