Another Year in Orbit and Having My Say.

The year is almost over. It was a long & tricky one for nearly everyone I know. My year certainly didn’t go according to anything even vaguely resembling a “plan.”

Like a lot of (American) people, I’ve been troubled by our current political situation. The constant stream of bad news and shady “leadership” has made it difficult to be “creative.” When Democracy itself is hanging in the balance, it is tough to free the mind, climb to that creative place and try to be “funny” or “dramatic” or anything else. The news has been that bad, and constant. Like everyone else, this time around I felt like just voting, signing online petitions and posting angry tweets wasn’t going to be nearly enough to make a difference and, equally important: make me feel like I was doing all I could to effect change.

So what do you do? A couple of things:

  • If you’re an old punk rocker and wannabe Billy Bragg -esque troubadour, you plug your guitar back in and take your outrage to the people. For the first time in about 15 years.
  • If you’re a professional writer, you offer your services, for free, to anyone who is running against the current administration and needs your skills.

I spent the past year doing both.

Tom Patrick at Strong Words June 2018

This former punk rocker started playing his guitar in front of audiences again (for the first time in probably a decade and a half,) because I am once again feeling the need to be active and have my say in the world. Strong Words June 2018So I wrote an anti-trump song and loaded it with all the humor and bile I could. Then I posted it on youtube under the slightly assumed name of “Tom Patrick” (two death threats so far) and started playing anywhere that would have me.  It was weird playing guitar in front of people again – and without having a ‘band’ to hide behind either. Since anger doesn’t really sell all by itself, the song is a Bob Dylan-y “talking blues” that saved me from the embarrassment of trying (and likely failing) to sing on-key, and it gave me the room to vamp, improvise and connect with the audience. I’ve done a million improv comedy shows, I’ve done stand-up, I’ve done theater… but nothing makes a person (me anyway) feel more exposed, exhilarated and terrified than making noise with guitars in public. Muse Lit showsAdding music is always a good way to connect with an audience in a way that is different from stand-up or ‘essay reading’ etc. Music carries an energy all its own that people can tune in to… even a simple, “borrowed” G-C-D chord progression helps to carry your message.

I also mentioned that I spent the year volunteering my writing skills. It took some doing, but I got connected with the Dems on a National level and through that connection spent most of the past year helping Blue candidates for state offices in very Red states with their websites, “meet the candidate” videos and even a few stump speeches. I had done some of this kind of thing back in Boston, but that was a long time ago. Working with candidates was actually very exciting and I learned a lot in the process. I wouldn’t run for office myself in a million years, but I now know I am an effective political/media writer.

TubaCzar showOf course, doing all this writing work and these shows for free means it was a challenging year cash-wise, but really, for a “creative” what year isn’t challenging? Doing the right thing is always worth it. I slept better knowing that I was doing all I could and using whatever skills I possess to get involved and try to do my best for the country.

…and sometimes, amazingly fun stuff happens. Like the show on November 3rd, just a few days before the election. Sometimes you arrive at a gig assuming you’ll just be playing guitar in a half-empty 60 seat theater with a funny ol’ tuba player, but when you get there you find it is a sold-out 60 seat theater AND you’re told that another guy will be sitting in and playing your song too. No big deal, just Laurence Juber – lead guitarist in Paul McCartney’s band, and former lead guitarist in Wings. That’s all. That is a pretty intense and intimidating situation for an old 1-4-5 punk rocker who hasn’t played any chords in public for a decade and a half, but Mr. Juber could not have been nicer and kinder. Obviously, he is used to playing with lefties. lol. If you want to see how that particular show went, click here.

Changes are coming in 2019. Hopefully that will be good news for America.

Tom with Laurence Juber MarkBetlzman TUBACZAR copy
Me, Laurence Juber and Mark Beltzman

 

 

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Airplane Live! Update.

Airplane LIVE top 5

After a fun and successful (and sold out!) run in the Hollywood Fringe Festival, it was a bit of icing on the cake for Airplane LIVE to be nominated in the “Best Comedy” category. We didn’t win, but Top 5 out of well over 300 shows is still pretty good and a tribute to Chrisi’s great, original script and an outstanding cast that was a joy to direct.

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Ogre Stone Strikes Again.

Was thrilled to see that “Ogre Stone,” one of my spec sitcom pilots that got a staged reading last summer, sponsored by the WGAw, did well in yet another contest. This time we finished in the Top 25 for spec sitcom pilots and in the Top 5% Overall, for ALL entries in the highly competitive Launch Pad contest sponsored by The Tracking Board.

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Opening Weekend

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Tonight Airplane Live goes live in front of an audience. If you’re a fan of the 1980 movie you’ll love this staged adaptation – true to the original, but with a few additional twists.

I was asked to direct this play by my friend Chrisi (the writer) and it has been an enjoyable 2 months of rehearsals, run-throughs and the usual ups and downs of trying to get a piece of theater ready for an audience.

Granted, Pinter… it ain’t, but watching the actors individually find their way through the material while everyone figures out a way to come together as an ensemble is always kind of magical. I know that sounds hokey, but it is true. I’m happy I was a part of the process.

The LA Weekly has already listed the show as one of the top things to do in Los Angeles this weekend, and tickets are already moving briskly. It should be a good run.

Don’t miss it!

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A Good Time Had By All.

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Something special happened last week. The WGAw  gave me an evening to showcase two of my spec sitcom pilot scripts. It was a little bit of validation that we all need once in a while – proof that, while the gatekeepers might often seem uninterested, writing professionals, in an official way, put their stamp of approval on my work.

Of course, that also meant that the pressure was on to live up to such a recommendation, so I did what any smart person would do: I called in as many of my talented friends as I possibly could. I cast some of the great/funny actors I know and, most importantly, I handed the scripts over to two friends/directors who I knew would “get” the material. I then sat back and watched the directors dissect the scripts scene-by-scene while the actors found laughs and nuances in the dialogue that I never knew were there.

In order to make the evening successful, I also had to make sure we had an audience. Once again, friends, fans and well-wishers turned out to pack the house and make it a fun night of actual “theater” and not just a dry script reading.

For me, the biggest pay-off was being able to watch the rehearsal process lead to the actual performance. We all write a lot of stuff. It is a rare treat to get original material like this on its feet and in the mouths of actors. The audience had a great time and I learned a lot about my own work.

I was also reminded that the most important part of any creative project is that you must enjoy the process itself – all of it, from writing, to casting, to rehearsing to showtime – because the rest is out of your hands. Did I want the evening to be a celebration and a good time? Yes. Did I also want it to be a chance to raise my industry profile just a bit? Yes, of course. We will see whether it did or not, but in the meantime, I’m very happy with the results, and I think the audience was too.

Keep typing everyone.

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