In spite of the resurgence of the pandemic, which is both a national tragedy and a national disgrace, the creative wheels continue to turn and this week has already brought an few unexpected doses of good news.
As the image above tips off, all three of the scripts I submitted to this year’s Final Draft screenwriting competition have made it through to the Quarter-finals. Two features and a sitcom pilot. This means that for 2020, I went eight-for-eight with my script submissions. ALL of them placed somewhere in every competition I entered. As I tell writers all the time, even established writers much more successful than I am, the legit contests are one of the very very few places you can get a real evaluation of your scripts at a low cost. Let’s face it, your friends are going to be too nice, and those “script reading” services can cost hundreds of dollars. But a $25-$40 “entry fee” is a small investment in a script you believe in and think might be “good enough” to put out into the world. True, great, sellable scripts get rejected by contests all the time, but if you submit a script to 3 or 4 competitions, if it really is as great as you think it is, it is going to eventually ‘pop’ in competition.
Now the anticipation builds while I wait for them to announce the Semi-finalists. lol.
I received an email yesterday from an editor at the Los Angeles Times. They are putting together a book of “Greatest Hits” from their LA Affairs column and they want to include my 2012 submission in the collection. That, plain and simple, is pretty thrilling.
Good news of any sort has been in short supply this year – for me, for everyone I know, and probably for you too. So I am both thrilled and grateful for these bits of blue sky.
Stay Strong & Stay Safe Everyone.
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